The first time I heard the Divine Fits’ debut album, I remember thinking that the members of Spoon must be peeved that someone had so perfectly emulated the band’s sound as to produce what could pass for the best Spoon album since 2002’s Kill the Moonlight. After a quick Wikipedia search, of course, I realized that it wasn’t a case of “emulation” at all: The group’s line-up included Spoon front man and songwriter Britt Daniel, whose unmistakable sonic fingerprints were all over the album.
Probably every reader of this blog has often had the similar experience of hearing a new song by an artist they know well, and instantly recognizing its authorship, even before the singer’s voice comes in. What we’re recognizing, of course, are the rhythmic and melodic tricks certain songwriters recur to, and the idiosyncrasies of each performer’s technique. Yet those of us who aren’t musicians, or at least trained in music theory, usually can’t tell you exactly what we’re recognizing. If pressed we might be able to isolate some familiar elements and say something vague about what makes them familiar: Johnny Marr’s “jangly” guitars, that yearning quality of James Mercer’s ascending and descending vocal melodies, the “too many notes” intricacy of a Mozart composition, the driving rhythm that somehow reminds you of three or four other Spoon songs, even though it’s not quite the same. It’s a classic case of what Hayek and Polanyi called “tacit knowledge“: We’re much better at employing our knowledge than we are at articulating exactly what it is we know, or how we’re doing it.
But of course, what we’re recognizing usually can be articulated by an appropriately trained person—and I bet I’m not the only non-musician who’d find it pretty fascinating to have that explained. So here’s a free idea for any music sites or magazines on the lookout for a fresh feature—or an aspiring music writer with the know-how to pull it off: A regular “What’s that Sound” column that picks an artist with a distinctive sound and tries to explain—with some technical detail, but presented with reference to specific examples so the untrained reader can get some sense of what it actually means— exactly what that trademark “sound” consists of. I’m so confident this would be popular that I’m almost surprised that (as far as I know) it hasn’t already been done.